28.5.09

Foreign Exchange


Ms. A is working with a company that places foreign students in American homes. I don't know that it's a strict exchange like you have a kid and you trade for another kid for a school year.

Regardless, she is now in charge of finding homes for kids for a full school year. She will be getting kids from Germany, Thailand, Serbia, Montenegro, and China. Most of the kids will be from Germany. This would be a great opportunity for families with young children or whose children have left home and those looking for a great exchange of cultural ideas, customs and traditions.

If you have or know a family within about 100 miles of Austin, TX who is willing to take a student in for a school year, please contact Ms. A and she'll provide you with all the details.

Also, please pass this along to anyone you can. The more families we find, the more students we can bring to the US for a school year. Thank you, carry on.

26.5.09

More G-man

Happy Birthday Gregory


Coolin it
Originally uploaded by xadrian.
Today 102 years ago, Marion Michael Morrison was born. He's otherwise known as The Duke, John Wayne. 22 years ago, Star Wars debuted.

And five years ago, Gregory Powell Rollman was born.

I don't remember much about being five. I remember bits and pieces of things that happened around that time, but it's hard to say if I was three or seven. I hope G-man has better luck remembering his life because it's a good one.

G-man is loved by a lot of people. His mom and dad and Miss LA all care for him quite a bit. I think his mom may love him the most, though. He didn't go to day care like his sister, and so Ms. A has taken it upon herself to not only stay home and care for him, but teach him as well. Where Lil Miss Austin got the brains, G-man got the charm. He's a crazy little ham who would rather give you a hug and make a crazy sound than most anything else in the world.

Except play Lego Star Wars, that boy is addicted to Lego Star Wars. It's all he wants to do and he wants me to play with him all the time. When he's not playing that game, he's asking me if he can play with my Lego in my room.

So G-man turns five today. He'll have a nice summer with his big sister and best friend and then come August he'll be in kindergarten and we plan on getting a lot of notes saying that all he wants to do is hug people and make funny noises.

Happy Birthday little dude.

24.5.09

Watercolors


Watercolor Robot
Originally uploaded by xadrian.
If you haven't been to Robot Portraits lately, well I don't know what to do with you. I've been pimping it for years now. Your loss. Anyway, what you'd notice is there has been more activity in that I'm also trying to churn through the 700 Robots list to the tune of a couple a week.

What I realized a while back is that the markers I use don't last terribly long and are $3 a pop. I have about $100 worth now and before even this one book is done I'll probably get another $100 just to replace what's used up. So I'm going to try watercolors.

A couple friends I know use water colors for similar projects and they're work always seems more professional. There's something about the markers I've never liked; they don't blend and they streak. It looks like markers. In small areas they work well, but for large areas it just looks blotchy and hastily done. So I'm trying watercolors.

The only reason I haven't tried them sooner is twofold. I've been a pen and pencil guy most of my life. I don't paint, use pastels or chalk, charcoal or ink wells with nibs or brushes. It's a mix of comfort level, cost and time. I've never had time to really explore other tools and thus push my comfort level. There's something to be said for accidental genius and not understanding the tool can sometimes result in happy accidents. Also, buying oils or acrylics is cost prohibitive, especially if you have a Lego addiction like I did for many years. So I'm trying to learn watercolors.

The other reason is a bit of a self confidence issue due to my late grandpa. He's main tool was watercolor and I have his work hanging in my house. To say he was prolific would be an understatement. He made a living doing it and me trying to learn how seems like a dodge. It's a mental issue, but I'm getting past it.

So I'm trying to learn watercolors.

We'll see how it goes.

15.5.09

Life


Magic
Originally uploaded by Cheryl Rollman.
Oh goodness, let's see. What's gone on since we last checked in.

G-man has been registered for kindergarten. Later this month he'll be 5. LMA just turned 8 and will be going to third grade next year. In addition to the Destination Imagination, LMA also participated in the Texas Math Pentathlon, in which she earned a medal and scored the best on her team. She did quite well.

We've decided not to move just yet. Partly because we can't find the exact house we'd need and partly because the property owner and management company have yet to get us an extended lease agreement. So Ms. A and Miss LA and I (to a small extent) have been shaking the house over a sieve and making it livable for a while longer. We've switched rooms, painted, de-baby-toyed the play area, moved computers and desks and repaired broken or nagging items. I won't lie, Ms. A has been doing the bulk of it.

Just last night she got a canopy for the back porch and solar tinting for the back windows in an effort to lower our energy bills. I helped by putting up the tint and sweeping up some of the glitter LMA and G-man spilled on the porch that has now been tracked throughout the house.

The dogs are both getting along, my Lego is all nicely sorted, (though I still have much to get done) and school is nearly over for LMA. She performed last night at her school's Night At The Movies event; a 30 minute program where the second graders put on a small show about movies, complete with abridged songs and a costume or two. LMA had a speaking part and she was very charming. She's also doing very well with her grades, all in the upper 90's and last report had 100 in science.

Ms. A is meeting people today to start work on being a foreign exchange student placement coordinator, which could be a great thing for her. Miss LA interviewed earlier this week to be an artistic coordinator for, I believe, Big Brothers/Big Sisters of Texas so wish them both good luck. My job has been going along, no change. Still a lot to do and it always changes and I receive both adequate recognition and proper scolding to keep me in line. Nothing new to report there.

Couple little online bits, since I'm very into the online world. Robot Portraits is still going. I just had my last one go out so if you want one, now's the time to order it. I plan on doing more 700 Robots but experimenting with watercolors. The 100 Artists Project has yet again fizzled out. I have help this time around, but there's just no interest and I don't know how I could have spent two years working on it and have no momentum. The sketchbooks are still out, so might as well try to finish those. Though if that's all I'm doing, I'm going to stop paying for a web site. I'm still writing reviews for Television Zombies, but my shows are all off season now. I'd been doing Fringe, Dollhouse and Star Wars: The Clone Wars. They'll all be back in the fall. I may be doing some work with the TVZ people on their site to help them out, so we'll see.

A few odd commission jobs and a couple really neat ideas for Lego builds should keep me occupied over the summer. I don't know what the kids' are doing yet. We thought of doing a camp for LMA at least, but that hasn't been finalized. And yes, to all the people in Colorado, I will TRY to visit with at least one child over the summer, but I can't promise anything.

That's all for now, carry on.

8.5.09

Star Trek 2009

I'm going to offer a counter argument to Dan Coulter's review of Star Trek, but only because I really like Dan and I know he's a huge Star Trek fan and a lover of good science fiction, of which there are scant decent works.

(Warning, there will be spoilers, both here and on Dan's site.)

I saw ST:09 at the Alamo last night around 7pm. Got there early and got a good seat. Was then treated to a typical Alamo tribute to William Shatner, some more comic moments of Star Trek, TOS, and a bit of fun with Austin improv comedy troupe Start Trekkin.

Not gonna lie, I enjoyed the bejesus out of this movie. Enjoyment is a personal reaction and had I seen in alone instead of with somone, seen it at a big cinaplex instead of the Alamo, took my kids to see it, I would have reacted differently. Yes there were parts I didn't like, but they were few and far between. I was entertained by the movie and that's the biggest compliment I can give it.

There's been a lot said about J.J. Abram's handling of the franchise. The fans and non-fans are equally divided. I've heard a lot of fans of TOS say they'll see it and probably hate it and a lot of casual or non-fans say they'll see it and it looks interesting. Based on Dan's review, I think that plays out. He doesn't say he hates it, but he offers a lot of points about why it's not good. The problem I have is I don't think these are J. J. Abram's Star Trek problems, but Star Trek or science fiction problems in general. Let's take a look.

1) Idiotic Science - Yes this movie has a black hole through which ships jump around like revolving doors. The black hole is literarly a hole in space. It's not right, not even close. Near the end, they throw anti-matter into it and it all blows to hell without blowing up the ship. Is this Abrams' fault? Not entirely. Roberto Orci and Alex Kurtzman wrote it in and Abrams let it go, but were they playing off established paradigms? I know of an episode where a "black star" flings the Enterprise into the past. In fact, Star Trek is riddled with hypothetical situations involving time travel, celstial bodies and dubious science. Are we blaming Abrams for this? If we wanted real science, would we really be expecting it from Star Trek?

2) I will give Dan this. I caught it too. I'm surprised something like this isn't caught in storyboarding. Someone could just say, "Could we have the 2nd in command Romulan say the last encounter with the Enterprise damaged their warp and they can't go above 1 or 2?

3) The introductions were crazy because the characters were crazy. They're archetypes, parodies of themselves. There was going to be no right way to introduce them, no one would have been 100% happy. Personally, I thought they were excellent. Given the history we've all built in our minds about each character, it actually added a lot to who these people were, something the original never did.

4) I agree the sexism was high here. No bad looking people, even Bones was moderately crush worthy. But again, you can only hate it for being a reboot and being totally not the same thing or you can say it's bad because it's not the same thing. You can't do both. Short skirts, like 'em or not, were something the original series had. It was just as much part of the show as phasers, warp drive, unbelieveable fight scenes and bad make up.

5) I thought that about the monsters too, even though I haven't seen Cloverfield. (I've been told to stay away.) But monsters do exist in Star Trek. Most of the time they are just sentient aliens with an ax to grind, but honestly, seeing another life form that's not a homonid with a rubber band stuck to its nose is enriching. If a klingon were dropped in the middle of the woods on Earth, would it have to deal with a bear?

6) There wasn't a time during the movie when I thought, "Oh just stop talking already." There was plenty of action for me, I'd almost complain there was too much and not enough talking. I'd have liked to see more explanation that wasn't crammed in at the end or during Spock's mind meld. The lends flare thing was annoying and we talked about it later. Once or twice I can understand, but I think the bridge was built out of LED flood lights or something. That was actually one of my biggest gripes. It was distracting.

7) And this was the other. Unless Nero had some fancy projector on that ship of his, there was no way Spock would have seen Vulcan implode like that. And...wait for it...the science...wouldn't something visible, that close, suck the other planet in as well? Black holes generally gobble up anything near by and I'm sure anything within even Vulcan visual range is going to end up within the event horizon of a planetary sized black hole. But, Malcom McDowell did try to steer a dimensional super string, so who's to say what can be done.

8) No arguments there.

9) Watching this reminded me of the Galaxy Quest bit where they have to run through the chompers. I think they had the idea of beaming someone into water and liked the idea so much that they had to get him out. But get him out with fun and action. I mean, it makes sense to have large tubes of water in engineering. Your cooling and potable water would need to circulate somehow, with a large turbine perhaps. But I don't think we'd see them like an early Microsoft screensaver as it was.

10) This actually did upset me. We're 200 years into the future. It'd be like my kids stealing my car and cranking Bach. Yes it's a good song, but for Frak's Sake, get Evervescence to write one specifically for the movie or something.

Agree with the nitpick, but I can see in the planning that he shoots him and drops the gun in order to have both hands free to almost fall.

I'll tell what I didn't like, and take this as you will.

A) Goofy science is one thing, but I know what a black hole is. I don't know what Red Matter is unless we're talking medical analysis of stool samples. Is it like Dark Matter? It's introduction to a material we have to take on faith and that causes three different plot points in the movie. At least make up something we're already afraid of. Boson Matter, maybe. Sticky Muons. And then for Sarek's Sake, explain it. It takes one line. Kirk, "What is that stuff, anyway." Spock, "I'm not sure, but if I were to guess, the future me has been able to discover a recently theoretical partical that can drastically alter space time."

B) Nero's ship was a mining vessel from Romulus. Why are so many bad things (ships, asteroids, monsters) these giant pokey claw like things? I know it's pyschologicial, but a display of evil is not evil. A show of power is not power. Plus, it made it hard to understand what was going on. Action in action movies has always been about quick edits where nothing may actually be happening. If you've got a visual frame of reference, that's fine, but when your backdrop and subject are these twisted and sculpted pieces of aliens spacecraft, it's just a giant jumble of "What the hell is that?" and you have to let your music and sound cues pick up the movement. Armageddon and Transformers are two examples of this where there's just too much going on. Just because you CAN make a computer animate 2,000 different moving parts, doesn't mean you should.

C) I didn't actually understand the time loop thing. I had to think about it after the movie. I will admit I'm very visual and at times complex plot points make me furrow my brow and grunt, but I thought a time travel Star Trek movie would be kind to me. But Abrams loves that.

That's all I can think of right now, and I don't mean this to color the fact that I really enjoyed the movie. I wasn't bored. I laughed. I was excited. I was emotionally invested in a few characters. I was surprised. I left the theater recapping scenes and lines.

I also don't want this to seem like I'm downing Dan's assessment. He was right on a couple times, but I think over all this was a very enjoyable movie. I'm going again to IMAX to see it and honestly I'd buy this DVD. I enjoyed it more than all but one Star Trek movie to date. I consider myself a fan of Star Trek, so take that as you will.

Carry on.

4.5.09

Moo Cards


Moo Cards
Originally uploaded by xadrian.
A while ago I got a handful of cards from moo.com after they did a promotional tie in with Flickr. I'd always threatened to get more because I loved the quality and the mini card size.

Well, good news, MOO has opened a US printing facility. So if you live in the States your order can be sent in five days.

I highly recommend them if you're looking for quality cards. The added plus of having them be as individual as you want them is an amazing touch. 100 quality cards for $20 (plus shipping.)

Give them a shot.

1.5.09

First of May

Crap video quality, but it's the thought that counts.

16.4.09

Review: Fringe 1.16 - "Unleashed"

This will also be online over at Television Zombies. Please stop by and check out all the reviews and listen to the show.

Olivia is reading the Burlap Bear to Ella. Rachel says it's bedtime as a call comes in from Peter, he wants to talk to Rachel and Olivia finds it odd. (PS, Burlap Bear doesn't exist, but whoever they got to draw it made it look interesting.) Rachel laughs on the phone and Olivia continues reading. Ella asks if monsters are real, Olivia says "Of course not."

Immediate "GAH!" cut to screaming monkeys. A group of youngsters have broken into a lab to release animals. One of them strays to the back with a big door. A man gets a phone alarm that wakes him up and he takes off in his car to the lab. The man arrives at the lab more afraid of what's in the back than worried about the activists. He asks if the door in the back was opened and then yells at them all to get out, then he's snagged and there's blood. The kids rush out but one is nabbed. The remaining three drive off screaming when their car is flipped and they crash. The survivors are attacked and we hear a rattling sound.

Open credits.

Peter brings Astrid coffee and goes to eat an omelet but Walter says not to because inside the omelet is an ear he's growing to test something. Peter gives him the, "You live in a society with other people" speech. Olivia calls the crew in to meet Charlie and Broyles to the crash site. They find the victims had a large claw and fang wounds. Victims have no IDs and some lock picking tools. Olivia sees four drinks but only three bodies. They trace the food back to a place near MIT. Agent Dunham heads to a frat house to ask some questions of Carl, who is really happy the hot FBI agent is there to ask questions. Carl says Chris (the forth missing student) was an animal rights activist. An autopsy at the lab shows a fanged bite four inches apart and lion like gashes. They investigate animal lab break ins.

An animal control van goes to investigate a "monster" sighting. The two traipse off into the woods. Olivia asks Peter about Rachel and he says they're friends. Walter goes through a box of his files and sees something he doesn't like. Olivia goes to meet Charlie and Walter says be careful. Charlie finds the Animal Control van and investigates. There's blood all over and one of the men is in the car gutted; he calls in for back up and hears a monster sound. Gun drawn he goes farther into the woods and sees the other man. A segmented tail drops down behind him. Dunham arrives, hears gunshots and Charlie screaming. She arrives to see him wounded but not bad. He says whatever did it was big.








EMTs extract a stinger barb that Walter takes. He asks Charlie some questions about the creature. He says they may be dealing with a transgenic species, accelerated Darwinism. Astrid calls with info on animal labs near the first crime scene. Dunham heads to Swift Research and talks to Robert Swift. They test pharma and cosmetic products on animals. She tells him about the attack, he doesn't seem to know much. He denies doing any genetic testing on animals. He also says she needs a warrant to look around. Astrid zips up a body bag, Dunham asks Walter what he'd need to create a transgenic. Peter asks him to focus and he shows him the book with a drawing of a creature with the body and head of a snake with spider legs. He says the creature out there wasn't his, but he tried to make one. His work was with Kelvin Genetics for the Army. The body bags starts to move and when they open it, the wounds are pushing out larvae (that look like maggots.) They deduce the creature plants eggs when it stings. Olivia realizes Charlie's been stung. At the Francis residence Charlie and his wife Sonia are getting ready for bed and Olivia shows up to say he's in trouble.








Walter does an ultrasound on Charlie and sees a lot of little larvae. Walter doesn't have a treatment idea and he freaks out a little. Peter helps him focus and decides to try and poison them with trichloramide. (A note on this, I can't tell if trichloramide is real or not. There's tricholormine, or a nitrogen trichloride, which is basically an ammonium salt plus chlorine, or the reaction you get in a chlorinated pool if you pee in it. But, in concentrated amounts, it's highly explosive. However, I'm unable to find much on trichloramide that doesn't appear to be a misspelling. So it's either completely made up or Walter just misspoke.)

A mom and kid are at a playground and we see a segmented rattle tail moving into a playscape tunnel. Broyles gives Dunham some information about Kelvin Genetics and they talk about the missing forth victim. Peter calls with an update that the larvae have been poisoned but so has Charlie and the bad news is the larvae act like parasites, feeding off Charlie. Walter has an idea that transfusing the monster's blood with Charlie's will cause the larvae to self destruct. Mom and her boy at the playground barely escape monster, screams heard around the playground. Dunham and Peter try to fix a pattern to the monster's movements, possibly underground; the sightings are all near storm drains. Walter has a little breakdown and Charlie screams in pain as the larvae start getting bigger which we can see crawling around his stomach.








Charlie is stable but Dunham gets news that the latest sighting isn't near a storm drawin, no pattern. Carl from the frat house calls Dunham saying that a classmate hasn't shown up for a while, one Jonathan Swift. Dunham goes to Swift Research and talks to Dr. Swift about his son and his activities. Dunham pushes past his lawyering up saying it's already killed five people. The doctor breaks down, saying it actually killed seven. The monster came from his lab and that he was working with another guy, Cameron Dagelman the one killed first at the lab. It was his work, not Walter's that was being done. Plus the combination of animals in the monster is a hela monster, wasp and bat. The bat's immune system makes it possible to combine many animals without their parts rejecting each other. But it doesn't help Charlie. They decide to bait it with the larvae, bats are very maternal, as long as they can bring in 50cal incendiary rounds. They pack up, Walter grabs some more of that trichloramide, Dunham says bye to Charlie.

Peter, Olivia and Walter crawl into the sewer, find a good point to conduct the sound and wait. Charlie calls his wife and makes small talk, fighting to remain calm during the pain he's in. It's a sweet moment and one that usually indicates the character is going to die. She doesn't know he's in trouble. Back in the sewer, Walter says he has to go pee. As he moves beyond the bucket of bait, he closes the door and swallows the chemical, saying Peter is right and that he has to own up to his mistakes. The monster will get him, but it'll be poisoned if it does and then they can get the blood for Agent Francis. Plus there's an antidote back at the lab. Peter and Olivia try opening the gate but can't and Walter walks off into the tunnels.








Walter wanders around singing and hoping to lure the monster to him. He reaches a dead end and the monster drops in from above. It's a fairly wicked creature looking like something from a Star Wars movie. Before it gets to Walter, Peter and Olivia show up and distract it. It knocks Walter down and runs after the others but is dropped by a couple shots from Walter. They head back and after a montage of chemistry busy work, push a blue liquid into Charlie. The larvae die and Peter says his dad was very brave.

Charlie goes home to his wife and crawls into bed. Olivia goes home to find Rachel and Ella asleep on the couch. She goes to bed but hears a whining sounds like the wind through a pipe. She turns the light back on.








Complete procedural. Nothing in "Unleashed" gave us any arc information and the broader story of Fringe was not advanced. This was a character episode for Walter, Peter and Charlie. Peter had to confront Walter. Walter had to take ownership of his past dealings. Charlie had to be shown as more than a sympathetic agent with a gravely voice.

This was literally the "monster of the week" episode and there was very little to uncover or discuss after the fact. No new questions, no answers, no twists. It wasn't exciting and the ticking clock for Charlie was the only thing in doubt. Having heard no news of Kirk Acevedo leaving the show, I knew he wasn't going to die. This isn't a Joss Whedon show where people get killed left and right, this is a show built to run a long time and you don't do that by killing people off.

Peter and Rachel are friends; that was the biggest nugget of information we get from "Unleashed," and it's one we saw coming. Seeing as the Glyph Code spells out PETER, I'm left to wonder (after watching it twice) what part he played or what tidbit I missed. As far as I could tell, he was merely a grounding rod for Walter. He's always been that. Despite Peter's shady past, his role so far has been that of comedic exposition and Walter Bishop caretaker/interpreter. Does this mean he has a larger part to play?

Not having any of the mythos of the show involved really upsets me as a viewer. I could deal with monster of the week episodes as long as there is a touch of the full arc involved. The problem with "Unleashed" is that it could have been a Doctor Who episode, or Supernatural or X-Files or even CSI: Everville. (Obscure?) It didn't have to be Fringe.

Two and a half randomly chosen glyphs.

15.4.09

Two Inches - Revisited

Recently I described the existential crisis I went through upon realizing I was declaring myself to be of a certain height when in fact I was not. Much to my chagrin, I was not able to convince most people it had nothing to do with how tall I actually was but that it brought my entire perception of myself into question; what other things about myself or my world had I been seeing or understanding errantly.

But all my internally questioning came to naught as I was shortly to find out (pun fully intended) that I was in fact duped by Ms. A. I had even commented on how it could have been a prank akin to a widely known episode of My Three Sons in which the boys trick Uncle Charlie into believing he is growing by shortening all the furniture. Ha ha! Wonderful hijinks abound. But surely that sort of deceptive play doesn't occur on this side of the screen?

Why yes, dear reader, it does.

A friend was over after returning from an acupuncture learning exhibition in China and was interested in the story. After telling it, we all decided to be measured...just to see. Of the four adults, I was the only one who claimed to know (incorrectly or otherwise) how tall I was. The three girls merely shrugged claiming some approximation. Ms. A was a little surprised to see that she was in fact the shortest, but not as surprised as I was to find out that I was, in fact, 5'8" after all.

A good laugh was had by all. It's the same laugh you have with a group of well meaning, jolly acquaintances when one or more is involved in a prank by which the patsy receives a lottery ticket for a grand sum of currency. The hucksters all share in a jubilant laugh whilst the subject of the joke is faced with the unenviable task of remaining calm and trying to appreciate the humor involved in winning nothing but having mentally spent it all.

So I leave this to you to sort out. Trick or not, had I indeed lost two inches overnight, I would have been (and was) clearly distraught. But it was not the loss per se, or the idea that my manliness or idea of masculinity is some how tied to my stature because let's face it, if you're already below average, remaining below average isn't much of a hit. But consider that you lost something or something related directly to your perception of your self or the world changes - your height, the color of your eyes, how to pronounce a word, the name of your state, something you're positive is nearly immutable. How do you respond? So far everyone I talked to says they would basically shrug it off and move on. Admirable, but I feel also a bit false.

Would you shrug it off or would it force you to examine your entire outlook on existence? Would you turn inward for answers or would the new data slide off you like oil off a duck's ass?

And be honest, this is for posterity.

13.4.09

Two Inches

I was hit with a foundation shaking revelation this weekend. It's one of those discoveries that makes you question your own sanity and place in the world.

I'm two inches shorter than I thought I was.

For nearly two decades, when asked, I would tell people I'm 5'8". I don't generally have a problem with my height and it rarely has given me pause in my every day life. Sure there are times while playing basketball or volleyball that I wish I was a little taller. There were times while doing shows in high school and college where I thought were I just a few inches taller, I'd be getting the lead roles instead of the plucky comic relief bits.

However, I never played the victim because of my average height. I knew I was at or just below average height for men in the US, but again, I'd never really thought about it at length. To be sure, the topic would come up every month or so as human conversation drifts towards the statistic and people compare ages, height, length of time in Taiwanese prison, etc. It was very prevalent in the afore mentioned theater productions because costuming required measurements.

My height was 5'8"

That is until this weekend when G-man was playing with a tape measure and wanted to know how tall everything was, including daddy. So we measured him (he's 3'7") and then a couple other things including the dogs, and then me. Now, I expected the index finger and thumb to pinch the tape at the 68 inch mark, but it didn't. I was measuring myself with a four year old helping and I thought, well, maybe he's holding it a couple inches off the ground. I had Ms. A help. At this point I wanted to give G-man an accurate measure of daddy's giant stature, but I was also touched with a 10% sense of foreboding.

Sure enough, sixty six inches.

"That can't be right!" I blurted out. Ms. A began laughing. She's known me for almost 13 years now and she knows that I tell people I'm five eight, just like I know she tells people she's five two. It's not even a social badge, it's just a biological fact.

Or is it?

This really bothered me, but not in the way you'd think. The actual measurement, the raw datum resulting from stretching the tape from floor to scalp isn't important. What is important is if I'm ACTUALLY this tall, what has changed in my perception of myself? Yes it's a body image shift and that's troublesome enough, but the mere fact that I've just now noticed this after all this time worries me. What changed? Was I lying to myself this whole time? Was my subconscious trying to shield me from what it perceived as a degrading biological label?

How could I have been so wrong?

Ms. A, of course, as well as the rest of the house is loving this. The short jokes started almost immediately and I played along as best I could, but writing this now has opened up a little bit of pinkish hurt on my person and I'm having a hard time recovering. What else am I wrong about? Are my eyes blue? Am I a dad? Is my middle name Michael? What else is false that I have thought this far to be an absolute truth? I've tried explaining it to people and for the most part the reaction is either, "You're still taller than me" or "It's just a couple inches." But it's more than that.

Ms. A thinks my weight is compressing my spine or I'm doing the old man shrink. Which is worse on a surface level, but at least not as existentially devastating.

It could be that the tape measure was off too.

So, what did you do this weekend?

(follow up here)

9.4.09

Bye bye, Dollhouse


Well that didn't take long.

Earlier today, Felicia Day posted a twitter about the episode of Dollhouse in which she would guest star. Sadly, she wrote that Fox would not be airing it.

What? Fox canceled Dollhouse? Shocking.

Agreed. But on the heals of ABC airing the complete series of Life on Mars, allowing the mini season to at least wrap itself up, you'd think Fox would take the noble step and do the same thing. But alas, they're going to stop with #12 and you can only see #13 on DVD.

Frankly, Fox, the only reason I'd buy the DVD to see the last episode is because I'm a Felicia Day fan. It has nothing to do with the show itself, which wasn't great, but I'm sure better than whatever you'll put in its place; that will likely be a reality show in which low IQ hard bodies are scared into eating dancing fifth graders for a million dollars.

Looks like it's back to watching Firefly on DVD and The Guild online.

UPDATE!

Apparently we all jumped the rails on this one. Joss himself has written that due to the early filming and then rewrite of the pilot episode, they're contracted into 13 episodes - the scrapped pilot counting as one. The studio won't make a call about the season until the Upfronts at the end of may. So we might still see Felicia Day's episode if there is a season two, but it might still exist only in DVD format. If that's the case and there is a season two, we better hope there's not much in the way of story development that we don't get to see.

Carry on.

8.4.09

Happy Birthday Ole


Today in 1891, Ole Kirk Christiansen was born to a poor family in Jutland, Denmark (though I've also read some sources say it was Filskov.) Little is known about his childhood other than he worked factory jobs, trained as a carpenter and eventually opened his own shop in response to losing his job do to the depression. He built ironing boards, step ladders and wooden toys and when his factory burned down in 1947, he rebuilt and focused only on toys.

The term Lego comes from a Danish phrase "leg godt" or "play well." But it also means "I study" or "I put together" in Latin.

The Lego System of Play debuted in 1955 and this was the first time the now ubiquitous plastic studded bricks were seen. A patent was created for the interlocking shape and in recent years that patent has expired and been challenged in courts around the world. Lego's biggest rivel Mega Bloks (now Mega Brands Inc) has continued to sell interchangable bricks while Lego has been unable to prevent them citing trademark violation.

Lego has branched away from simple contstruction over the years to include more technical and even robotic construction. The toy is a household name, has spawned theme park type attractions and a stout world wide fan base. In the late 90's it teamed up with Lucasfilm to deliver Star Wars toys which lead to other branding cross overs including Batman and Harry Potter.

I've spent hundreds of not thousands of dollars on Lego over the years and will likely spend more on both myself and my kids. I hope in 20 years they'll continue to love Lego as much as I do.

For a good example of what can be done with Lego, check these out.

Sitcom Sets in Miniature

HMS Hood

Lego Business Cards

Eddie Izzard Death Star Canteen done in Lego

1.4.09

Review: Dollhouse 1.7 - "Echoes"


Just a reminder these can also be seen over at Television Zombies. Which currently is running episode 77.5 which is a VERY important episode. Please listen.

Our recap hints at a few of Echo's previous engagements, including her first saying he'll never forget her and ending with Laurence hitting her in the face with a rifle butt in "True Believer." This leads into the meeting between Caroline and Adelle DeWitt, the meeting we believe started it all.

Caroline is a troubled woman, but we don't learn why. She approached the Dollhouse and Miss DeWitt, but she doesn't say why. We know that Miss DeWitt wants five years from Caroline, then she's free. They've also apparently known each other for at least two years and this isn't their first meeting. There's talk of a Rossum Corporation being owners or partners with the Dollhouse. Adelle pours some tea and says that nothing is ever what it seems.

A couple students enter a lab where a third is stripped down to his shorts, playing with open jars of flies. He's clearly hopped up something and proceeds to run into a window, then dashing his brains out on the window trying to flee. As he's smashing his bloody head against the spider webbed safety glass, we pan back to see the name on the building, Rossum.

A man named Clive Ambrose is talking to Adelle about a drug that's somehow been released on Freemont College's campus. It impacts impulse centers. They have only two vials, but one is missing, so he's asking the Dollhouse to send in all agents to lock down the campus, quarantine any infected students and keep it quiet. Also, Topher needs to come up with an antidote. The Actives/Dolls can't be affected because they already lack impulse inhibitors since they are blanks slates. Adelle finds out Echo is on another engagement. We also find another active's name is Foxtrot, so the phonetic alphabet continues. (My Doll name would be Mike, because it's lame.) Echo's other engagement is the same motorcycle guy from before, but different imprint this time. This time Echo is not as badass, but she is wearing a skirt very susceptible to wind and thigh high lace stockings. (This is me rolling my eyes.)

Our first of two scenes with Suspended FBI Agent Paul Ballard has him making breakfast for Millie. He wants to take care of her because he's sweet and noble and likely feels a bit guilty about all this. He assumes it's the Russians who sent Hearn to kill Millie. She says he should stay off the Dollhouse case, which he obviously can't do, so she leaves.

A convoy of black vans and SUVs pull into Freemont College. Victor, Sierra, Laurence Dominic as well as a slew of other agents and dolls coordinate their efforts. Victor is now NSA, which cheeses Laurence off because, as Victor said, "...a few hours ago you were saying how much you liked applesauce." Sierra is a doctor with the CDC and she's wearing a white lab coat. Do they do that outside of a lab? Meanwhile, Alice (Echo) has her motorcycle client tied up in bed getting ready to video tape some hot nonsense but she screws up the controls and turns the TV on. It's a news report about the student suicide at Freemont. She has a flash of something in her brain and says she has to go.

This flashes us back to an earlier time, likely around five years ago. Caroline and her boyfriend/husband Leo are sitting around drinking and eating and talking with their other social activist friends about the evils of Clive Ambrose and the Rossum Corp. Other than Caroline, they all look like activists. That's all I'm saying.

Topher has Millie (Doll sign = November) in the chair and he's giving her a dose of the drug so he can study and create an antidote. While doing this, Adelle tells Topher that Clive is not just a client, but Rossum funds a lot of what the Dollhouse does and in turn, the Dolllhouse returns funds to aid in what Rossum does. So it's a giant brain scrapping, whore pimping slush fund disguised as scientific research? Echo/Alice, gratuitous thigh highs and all, rides client's bike into campus looking for something but she's not sure what. Of note, early she said she'd never ridden a bike before. NSA Victor sees her walking around all stoned and thinks she's been infected so he brings her to their make shift medical center where she meets Sam. Sam was in the room with the student who smashed his brains out. They talk and she says she needs to get into that lab. Hey so does he and he can get them there, but doesn't know how to get in. She can get in but doesn't know where it is. Together they form a super sleuth team and avoid all security.

Boyd has tracked Echo to Freemont College which doesn't make Adelle very happy. As he's talking to her, another college zombie comes up to him and they make skin contact accompanied by an obvious slow-mo of the contact with hissing sound effect. I think at this point in TV world, we know infections spread a few ways; I don't think we need to be hit over the head with the "clues." Boyd is infected now and when he finds Echo/Alice and Sam, he gives her the treatment line but she refuses. He's flummoxed but laughs hysterically about it. We flashback to more of Caroline's Capers and her activist friends planning a raid on Rossum.

Meanwhile at Dollhouse HQ, Topher go it from November and then he gave it to Adelle (again, slow-mo and hissing.) They get progressively higher and the rest of the show turns into a big pot joke. It starts with Laurence turning very effeminate and finally handing over his gun to NSA Victor because it's heavy. Sam and Alice go back to his room to get a map of campus and so Sam can change shirts. (Are we sure this is done by Joss Whedon and not the iCarly Fan Club? Yeah, Sam's hot and cut.) They have to find Lilly Foundry for some reason only Alice knows. Topher and Adelle are cute and high and she says she's too British and Topher doesn't have pants on. Boyd calls in and says he's figured it all out, but then plays piano to Adelle and Topher on speaker phone while Sierra watches him. (Yes, he's in with all the other infected people.)

While Topher and Adelle are talking about what the color blue means to you, Millie arises from her chair and starts reliving her event with Hearn, even quoting the Doll-Kill-Now command, but she's talking as though she's talking to Paul. Clearly the drug is screwing up the actives as we also see Sierra reliving an event in a warzone where a soldier tries to rescue her as well as the "game playing" by Hearn. Victor starts collecting firearms after a security guard with an invisible humping dog starts shooting into the air.

Echo/Alice and same can't find the building but they find Lilly Foundry is a man hole cover so they go underground and Alice starts having more Caroline memories of breaking into Rossum. She leads Sam to the lab. It's the same lab she was in with Leo where they are there to video tape all the animal cruelty. But they find babies in jars and computers with brain scans and as they try to make sense of it, a guard comes in and shoots Leo as they're fleeing. Along the way, Laurence sees Echo and starts drunk-apologizing to her about trying to burn her to death. She says it's ok but he's in a mood and will not let it go, girl.

Sam, it turns out, wanted to get back to the lab not to get evidence, but to hide it. The drug was his and his friend Owen's; the student with the glass brains. They were going to sell it to a rival of Rossum and make a lot of money. Sam's mom was counting on him being a good college student and making money to help support her. It was his chance. So he doses Alice with a drop on a handkerchief and bolts. She fights through it and follows him. Her past and her present line up and she's chasing Sam and following Leo. Leo dies in her past and Boyd punches Sam in her present. Only now does she go in for treatment.

And then it all wraps up nicely. Topher figures out how it's affecting both regular people and Dolls and is obviously able to work out an antidote. We see Echo strolling leisurely inside the Dollhouse. Adelle and Laurence, though they never interacted in their goofy state, apologize to each other and it's back to business as usual. Millie packs some bags and leaves her apartment for a while, not sure when she'll be back. Paul is sad but says it's better he not know where she is, but reminds her that she knows where he is. We end with Adelle pouring a cup of tea for Sam and making him an offer including help for his mom.

Five years, then you're free.

Free from consistency, apparently. Did anyone fact check this or run it past a group of thinking individuals?

Here were my problems. When the show starts, Clive Ambrose is showing a picture of a dead Owen to Adelle and Topher and saying he was working on a psychotropic memory drug that has many phases, the first of which is giddiness followed by a loss of impulse control. But that it also spreads like a virus because "one vial could take down the entire student body." So, the drug they are making is transmittable LSD. You don't need pushers any more, you need zombies. Shoot 'em full of this stuff and let them loose into populated areas. In a show that's already pushing it as far as plausible science goes, introducing a new viral drug from which you can get high just by touching someone is a little much to center an entire show around.

The loss of impulse control would be a danger, as seen by Owen doing his best moth near a window impression and the air-dog guard shooting into the roof, but the rest seemed recreational. It was obviously an unintended side effect of the compound they were working on, but it seemed sloppy. They had a drug that changed people's inhibition levels, altered their hippocampus chemical makeup and was transmitted by touch, and yet they had students with access - no, the students made it?

Because it was Sam and Owen that made it, probably with the encouragement or even help of Rossum. But when Owen drove his own hippocampus through the safety glass, they didn't suspect that his best friend and co inventor Sam had maybe hidden the other vial?

And why wasn't Sam infected? He'd come into contact with Owen early. was he immune? Did he have an antidote? Are you telling me cracking open a container of a highly contagious drug and using only a handkerchief will keep you safe? And by the way, stop it with the handkerchiefs. They're only used by old men and creepy guys who want to drug hookers with chloroform. A college student wouldn't carry one, for real. Stop it.

Topher may have saved the day today, but he also claimed that the Dolls wouldn't be affected by the drug. Based on his advice, Adelle okayed the operation which included almost all actives and when they became infected it nearly cost lives. Had he been more cautious instead of being a fearless hipster scientist, half the story doesn't get told. And did he save the day? He mentioned proteins but that was about it and the next thing we know Laurence is getting his gun back from Ms. DeWitt.

"Echoes" felt sloppy. It felt like the story wasn't told as tightly as it could have been even in the face of the story itself being a barely controlled outbreak. The timing only worked when Echo's past and present lined up. It only worked with Adelle first offering Caroline the chance at a new life and then 40 minutes later offering it to Sam. The rest of the time was disjointed and it didn't feel like it was done purposefully, but more with a careless lack of attention.

Three creepy doll heads.

26.3.09

Storm in Austin


Blue
Originally uploaded by xadrian.
It wasn't a big storm, but there was golf ball sized hail up in P-ville before I got home. I left a rained out basketball game to drive up 360 as the front was passing over. I commented to someone that it wasn't just a storm, it was like driving in the Nothing from The Neverending Story.

If you're from Austin and you read this, did you get any photos of clouds or hail?

24.3.09

Review: Star Wars the Clone Wars 1.21 - "Hostage Crisis"

Cad Bane, Cad Bane, Cad Bane. You couldn't go five minutes on Cartoon Network without hearing about Cad Bane. It was reminiscent of 1998-99 when there were posters and t-shirts and Taco Bell cups and merchandise galore of Darth Maul. We must love our Star Wars baddies.

I will admit, Cad Bane is pretty cool, but this is his first showing having only previously appeared in a web comic that leads up to "Hostage Crisis." He has a way to go before he's Boba Fett cool, or even Jango Fett cool.

He and his palls arrive at the Senate building on Coruscant. The Senate Guard approach them and demand some identification, which they provide with blasters and fists. (Of note, one of Bane's palls is Aurra Sing, first seen in one of those "don't blink" moments of the podrace in Phantom Menace.) Her sniper rifle brings down the bulk of the guards and Bane's palls do the rest. The group is comprised of Bane, Sing, a Weequay, a small fish like creature, a few IG series assassin droids and a couple Separatist commando droids. After they take down the platform guards, the commandos fake a guard voice and radio back that it was protesters and they've been taken care of.

In Senator Amedala's office, Padme and Anakin are discussing getting away for a couple weeks. Well, he is and she's saying she can't because she's trying to get a bill passed through the Senate. He reminds her that they are married and never see each other, and starts asking what's more important, her Republic ideals or their love. He reads her the riot act (as much as you can in a short cartoon) and then goes into the construction of his lightsaber. He recalls when Obi-wan said it was his life. Then to prove his love for Padme, he gives the lightsaber to her, saying it's his life. She says it's heavier than she thought. They kiss.

***WARNING: TRIVIA AHEAD***

Anakin and later Luke's lightsabers are made from photography equipment called flashguns. The construction of these props is insanely simple. So simple that to make one, all you have to do is take the parabolic mirror off the flash gun. Some additional bits like calculator buttons and clipped windshield wiper blades can be added for good effect, but the main hilt remains nearly as is. When they were designed in the mid 70's, Lucas and his crew didn't have access to the time, money and equipment needed to create the all the props for the film so they had to get creative. Now, even though antiques fetch understandably higher prices, vintage photo flashguns that normally cost between $30-50 are now running in the hundreds, sometimes thousands of dollars because you can make a lightsaber out of them.

***END USELESS TRIVIA***

Anakin and Padme's scene really got under my skin, but I don't blame this episode for it, I blame the overall chemistry these two have (or don't.) Let's be honest, Padme is a smart, hot, powerful woman. She has fought battles against droids and beasts, knows how to fire a blaster and fly a ship. Anakin, for all his Jedi powers, is a whiny bitch and always has been. Especially when he's around Padme. He's petulant and selfish and never ever grew out of his childhood fear of the universe being out to get him. I was hoping that Revenge of the Sith would have shown a darker, more steadfast and resolved Anakin, even if he was evil. But it was more of the same, and The Clone Wars didn't help that at all. In fact, every time these two interact, I wonder what they see in each other, especially was she sees in him. Sadly it comes across as an abusive relationship, as though she'd leave him if she wasn't so worried about him getting angry.

Regardless, they love each other.

Back to the story, Cad Bane and his group take out more guards as they move farther into the Senate building. I know animation can be time consuming and expensive, but I was just in the state capitol building here in Austin and it was jammed with people. You could even get in to watch the actual Senate during sessions. To say that the only people around are guards and bounty hunters is simplistic and sterile.

Anyway, they take out these guards and a couple droids. The leave the fish guy in the control room of the Senate building. Anakin and Padme's kiss is interrupted by Senator Bail Organa and Threepio coming into her office to tell her that a Senator has scheduled an emergency meeting in the lobby before they go vote on the Invasion of Privacy bill, which is funny to Padme. Anakin is hiding under her desk and she had to pick his lightsaber up and hide it in her sleeves. Bail Organa urges her to follow.

Bane and his crew sneak through the hallways and use a thermal detonator to take out a squad of guards during a change in shift. Aurra even blasts a survivor at point blank range, reminding me of Megatron blasting Ironhide through the deck plates. Such heroic nonsense. The Senators meet in the lobby followed by a roof blasting Bane and his crew. One of the Senators says he will not be treated this way and makes to leave. Bane shoots him in the back, then suggests they all sit tight. Senator Orn Free Taa tells the Chancellor he needs to see something and turns on a holocommunication with Bane. He tells Palpetine he's taken hostages and control of the east wing and they want Ziro the Hutt released. Palpetine says they don't deal with terrorists (not really, just easier to say) and they'll be met with force. Just then the fish man in the control room starts pressing buttons and pulling levers and all the lights go weird and all the doors close. Bane says he's in control.

Palpatine tries to radio outside but can't. Bane starts collecting weapons and Padme tells Bail Organa she can't be searched. Bane approaches her and starts in with the smooth scoundrel talk then catches her eyes looking past him to where Anakin is hiding in the hallways on an upper level. Bane turns around and starts blasting and immediately calls out "Skywalker?" and then orders his henchmen to go after him. I barely got a good look at Anakin, how Bane knew he was there or was able to recognize him in the shadows was not explained.

The Weequay and IG droid go after Anakin through the Senate building. In one of the oddest moments of the series, the Weequay shines a light into a darkened room where he startles a buxom female droid that looks more like she/it belongs in Futurama than Star Wars. She's alone and in the dark...and they're in the Senate building. Take from that what you will, but to me it was both out of place and a little naughty. May be just me but I have no other explanation for it.

The cat and mouse continues, but Anakin has no weapon. He finds a communication station, busts his little communicator open and hot-wires them together to get a message to the Chancellor. Then he uses a Jedi mind trick to distract the bounty hunters and the two split up to search the other floors. Anakin goes after the droid. Why you'd go after a machine first is beyond me. I'd go after the weaker, softer guy first. The Weequay sees the downed droid and reports back to Bane that the Jedi doesn't have his lightsaber, so Bane sends Sing along (heh) to hunt him down. Anakin sees the fish guy coming out of the control room and tries to get to him before the door closes. The Weequay and Sing find him first and Anakin Force yanks the blaster from the Weequay but gets it shot out of his hand by Sing. While he's occupied, the fish man jumps him from behind and jabs him in the neck with a taser.

Orn Free Taa takes a pardon disk from Palpetine to the jail where Ziro is being held. The bounty hunters drag Anakin back to the lobby. He's out cold and handcuffed and they dump him with the Senators. An IG droid and Orn Free Taa go to the prison where a squad of clones oversee the exchange for the colorful and stupidly offensive Ziro. Bane secures the Senators in the lobby with the help of laser rigged explosives. If anyone tries to leave, they blow up. If anyone tries a rescue, Bane will detonate them. The droid and the Hutt pull up on the air car and the rest of bounty hunters jump in and take off. Anakin wakes up, gets his lightsaber from Padme and cuts a Tom and Jerry hole in the floor. Bane tries to cheer Ziro up by blowing up the Senators just as the floor circle gives way and they all crash safely onto the level below.

Bane and Ziro race off into the distance.

Lucasfilm is really trying to set up season two with a arc-spanning villain and who better to fill that ignoble position than a bounty hunter. I'm not sure of the point of this move, though. The Republic is already waging a war against the Separatists and that group is already chock full of bad guys and droids. Were people getting bored of never seeing Count Dooku wield a lightsaber? Were we yawning through all two of Asajj Ventress's scenes? Did this show need ANOTHER bad guy? The list just gets longer and longer and the Republic is running out of time. We're down to mere months, even weeks before the events in Revenge of the Sith and I'd like to see a little more movement by the Chancellor and less gimmicky alien bad guys. Lucasfilm has made it clear that this show is canon, so let's see some story telling.

Cad Bane is a great character. Whoever designed him and whoever does the sound work over Cory Burton's already impressive voice does a bang up job. Cad Bane is purposeful and his no nonsense methods are almost likable. He doesn't waste time, he doesn't monologue, he gets in and gets the job done. Plus he's got that awesome hat.

This episode was suppose to run before Ryloth story arc, but I have a feeling that given the final Battlestar Galactica was on the same night, they decided to shuffle it. It's a shame really because "Liberty on Ryloth" was a perfect way to end the series. It was a three episode story, it built up and it paid off. This doesn't leave me wanting more; it was self contained and frankly if we never see Bane again I'd be ok with that. He was good for this and doesn't have to come back time and again. Having bounty hunters get their way seemed to be a downer of a finale even if we enjoy it when bad guys win.

Three green lightsabers.

Review: Dollhouse 1.6 - "Man on the Street"

I'd been hearing all week about how Joss himself said that if you'd stuck it out through the first five episodes, that this would be the payoff.

He wasn't fooling around.

I'm stuck in this self induced cycle of figuring out if the "Man on the Street" was actually that good or if the first episodes were just that bad. To be fair, they weren't all bad and to be fairer still, there have been only five episodes. But, all things considered, and comparing Dollhouse to no other shows on TV right now, this episode was amazing.

Yup. I said it.

But there's a danger in why it was so good tonight, and we'll get to that later. First let's go through the events that happened, because happen they did in spades packed in kung-fu grip action.

The episode starts off a little slow and stereotypically TV. A news reporter is asking people on the street if they've heard of the Dollhouse and if not, what they'd think of a place that can program human beings to do whatever you want. It's the responses you'd expect and it was the worst part of the show. There have been very few movies or TV shows that ever do the man-on-the-street bit with any credibility; it smacks of production and the average folk come across like bad actors and not real people. In fact, I find it hilarious that a TV show doesn't know how to make something look like a fake TV show. In the end, despite the title tie in, that wasn't as important as it was probably meant to be. The idea was that the Dollhouse was being close to being in the public eye and linking it to average citizens' vernacular tried to accomplish that.

When we left the Dolls, Victor was crushing on Sierra and Echo was remembering bits of each engagement but not enough to build a big picture; not yet. We also know that Agent Ballard is dangerously close to finding the Dollhouse, having seen the missing Caroline on the news and being just hours behind her in Arizona.

Ballard gets some information about some financial movements on one Mayflower group. He has his FBI friend Loomis do some legwork and they find that there are in fact large transactions going back and forth but one specifically happens every year on the same day and the next day is immanent. He also has a run in with Agent Tanaka about this being a dead case. The transaction comes from a dot com success Joel Mynor played by Patton Oswalt. He waits at a modest house while his private security sweep the area. Then Echo shows up. Agent Ballard sneaks in and busts Mynor and Echo in the midst of an odd domestic dream sequence of buying a home. Ballard hesitates and it's enough for the security guards to step in. It also allows Boyd Langdon to come in and get Echo out of there. Ballard dispatches the security and then has a lengthy talk with Mynor about his fantasy. Mynor relays a story about how after years of sticking with him through rough financial times, he bought a house to surprise his wife but she was killed while en route to see it. Every year he recreates the event with Echo. It's a sweet story and yet another scenario in which a Doll could be used.

Ballard can't do anything to Mynor because he basically broke in without a warrant so he has to leave him. Back at his place, his neighbor Mellie is hearing about the story and helping Ballard ice his yet again shirtless muscles. (Seriously, this guy loves taking his shirt off.) And, whoa! They kiss. She says don't kiss her and think of Caroline and they try to go back to being neighborly. Quick shot of Mrs. DeWitt's office and they have a surveillance camera in Ballard's home.

And speaking of surveillance, the Dollhouse has an internal problem for which they're checking the security tapes. Sierra has had sex, and not on an engagement, but recently and while at the Dollhouse. Victor is the prime suspect but Dr. Saunders and Boyd don't really buy it. At one point Sierra screamed and recoiled at Victor's touch. The Doc says there's a difference between liking someone and having sex with them. Too right, Doc. Boyd wanders around looking for holes in the security camera coverage, calls Laurence Dominic and has Victor's temporary handler and Victor taken away in front of everyone. Hearn (Sierra's handler) tells Boyd good work.

But it was a setup. A group of Dolls including Sierra walk down a hallway and into the gap in security cameras. Sierra goes into a room where Hearn is waiting. He tells her he's ready to play, she says she doesn't like it but knows to keep quiet and he starts to take his clothes off, and that's when Boyd punches him through the glass door. He saved the day but is put on probation, with a bonus, for doing a good job, but being so violent about it. Topher later is creating the ultimate badass imprint for Echo but lies to Boyd about her assignment.

Mellie and Ballard are recovering from a bout of love making (that was fast) and Paul asks her to help him with his case, she agrees. She's adorable and their banter is FINALLY some Whedon-esque material. He goes for Chinese food. Mrs. DeWitt has Hearn in her office with his wrists zip-tied. He's shouting about them not thinking that marching all these super hot zombies around would lead to this kind of abuse. She offers him a choice; be sent to The Attic or go kill someone who's getting to close to the Dollhouse, this person being Millie.

Ballard is at a Chinese food place when he catches a reflection of Echo in the kitchen, he goes in and she begins kicking his butt. They fight for a LONG time, throwing pans at each other, moving into the alley and fighting all over a parked car. Finally Echo gets the upper hand and starts relaying her message. He's getting close to the Dollhouse, but he has to stop trying and let them back off. They have someone on the inside, someone who corrupted the imprint on Echo while the programmer wasn't looking. There are 20 Dollhouses and they have ties to everything. Fantasy is their product but it's not their goal. They need Ballard to find out what that goal is, but first he has to back off and let them win. Then she tells him people he knows could be in danger.

Mellie answers the door and it's Hearn in a mask and he begins beating her up while the sound is drowned by orchestral music and everything is in slow motion. Just when I'm ready to say, "I told you so" and chalk up another character killing to to Whedon, the phone rings. We see Agent Ballard trying to call while running back, but it's not his voice on the answering machine, it's Miss DeWitt. She says, "There are three flowers in a vase, the third one is green." Hearn hears this and hesitates but Mellie's eyes light up and she begins kicking Hearn's butt all over the apartment. When she's dispatched him, Mrs. DeWitt says, "...the third flower is yellow." Mellie returns to her previous self and freaks out. DeWitt watches it all on the security camera.

Laurence congratulates Adelle on her playing a good hand and all the loose ends are tied up. Victor is back, Sierra is not screaming, and Echo is painting a house. Adelle talks to her and Echo says the painting isn't finished, but we get the idea she doesn't mean the painting. The painting is a recap of the scene in front of the house with Joel Mynor. Paul Ballard is suspended from active duty, turns in his gun and badge, much to Agent Tanaka's delight.

Before we go any further, there's a character I've neglected to mention from this and the previous episode. Her name is Ivy. She's an assistant to Topher and so far has been relegated to bringing him food when he's hungry, organizing the lab and making clever one liners. I didn't think she was that important. I should be ashamed for thinking that, knowing how shows like this work. I knew Mellie was important - actually I thought she'd be killed, I didn't see this coming. But Ivy now has a unique opportunity to be the mole on the inside.

Because who else could it be? No one has the programming ability to alter what Topher does. They all know generally how the set up works, but not the technical aspects. He has the keys to that kingdom, and as we say in the network administrator world, he's a single point of failure. So is Ivy the mole? I'm not sure. Reason being is not because she's unassuming, but something in the way she acts (not character wise, I mean the actor) just doesn't seem like she could command the camera to be in that large of a role. That may not be fair, but it's a gut feeling.

Also, we're assuming Echo's message was compromised and wasn't a big ploy by DeWitt and Topher to through Ballard off. They could keep using Echo to delay and distract Ballard as long as they want. They used Victor for the same reason, this is just another way to get to him. Having the girl he's been tracking for so long confirm everything he's been after and then say to wait until he's contacted again is a brilliant move. It was my first thought, in fact, that it was all a ruse to get him to back off.

Only time will tell.

But time won't tell us that this was a great episode. As I alluded to earlier, it's a dangerously good episode because Dushku was not the main character; Agent Ballard was. There were three distinct stories this time and Echo was only involved at a cursory level. She played her femme fatale role at the end quite well, but if I were Joss, I'd be worried that the bit players on the show are more interesting than the main character. But she's not really a character, is she?

Still, four and a half creepy doll heads. There are times I want to slap Topher and his abbreviated words, and Dr. Saunder's scars are hanging on just a little too long. Next week looks fairly entertaining as well.

23.3.09

Smokeless


Dear Cigarettes,

I know ours has been an on again/off again relationship. You've been there for me when I thought the world was trying to eat me alive. Through all your new looks and styles, you've always been the thing I needed, the fallback, the prop, the calming assurance.

But I think it's time we were just friends.

I know I should do this with a phone call, but you're an inanimate object that I'm anthropomorphizing with this "Dear John" letter so I can have a witty way to write about quitting this habit. You'll just have to accept, now, that I'm breaking both a forth wall and our relationship.

I just want you to know that it's been really good. You've given me so many reasons to get outside and break up my monotonous days. You've introduced me to new people. And even though I want you bad right now, I can't fall victim to that. You can't be habitual any more. You've become high maintenance and it's only going to get worse. I spent over $1000 last year on you alone, and that's money I'll never see again - it's not like I'm investing. You just don't give back.

The good news is, I still want to be a friend. I'd like it if we hung out every couple weeks, maybe over a few beers or a long night of drinking at a friend's house. Yes I know I'll hurt the next day, but better to hurt a little in the morning than for the rest of your life.

I don't know what will happen to you, honestly. You've got lots of other options, but you're pricing yourself out of a lot of peoples' comfort range. I'm worried for your future, but I just can't be part of it any more. I really hope you understand.

So, I'll see you around. I know we've done this before, but I have to look out for my future now. I have kids and special people in my life that I want to be around for a long time. You aren't helping with that. But I wish you luck with whoever you end up with.

Cheers!
-ben

PS You can keep the tee-shirts.

19.3.09

Steampunk Cylon Contest


Steampunk Cylon
Originally uploaded by xadrian.
I wish there was a way to vote for this, I could drum up the tens of people who read this to cast their lot with my little design.

Alas, I'll leave it to the fine folk at DVICE to decide whose Steampunk Cylon is the best.

Thanks to Mrs. A for taking a couple of nice shots. I can now take him all apart and start building something new.

Spring break is winding down, my dad and step mom came for a visit and we went to SeaWorld and out to eat a lot and to the capitol building. They're heading back today but the week's not close to over.

Ms. A is completely enamored with SXSW and will likely spend a good part of the weekend finding free shows and drinking free beer. She got a migraine from some edamame so that plan may be in question. However, SXSW is just tying up all of Austin whether you go or not.

I've got a wristband for some free shows but I'm not even sure when I'm going to go, or even if I want to. I'm not a fan of festivals and Ms. A and I came to the conclusion that this event is primarily a trust baby or music industry pleb scene. Even music fans who try to go to this event will not be able to see everything they want, even if they could afford to get into the official shows.

I don't want to down play this too much. It's good for musicians trying to get some fans and it's decent for the Austin economy to have this influx of people. I know not everyone is a fan of this event, seeing it as a big shadow over the city. There's a lot to Austin and this event makes everyone in the country think that all there is to our city is music festivals. Yes, Austin is the Live Music Capital of the World, but it's also the capital city of Texas, a very liberal oasis in a normally conservative state, a great place for arts in general and a good place for those who like being outdoors. I actually can't wait for it to be over.

But that's just me. I watch TV and play with markers and Lego.

Carry on.

Reviews

Here are a couple reviews to look forward to over at Television Zombies.

Dollhouse 1.5 "True Believer"

"True Believer" might have me being a believer in this show.

The Dollhouse has a major client in a US Senator. He needs help getting inside a Yearning for Zion like religious cult compound. He enlists the help of Miss DeWitt and her organization to insert a sleeper agent into the community; and agent with a very special ability: Her sight is transmitted to federal agents.

The problem is, it renders her blind.

A group of singing, smiling cultist arrive by white bus to pick up some supplies from the local five and dime and a mechanic tries to pick a fight with one of them. They keep smiling and eventually the sheriff comes in to restore the peace. However, the store keeps looks at the back of the shopping list they gave him and on the back is written "save me."

Star Wars: The Clone Wars 1.21 "Liberty on Ryloth"

The penultimate episode and the final installment of the three part Ryloth arc gave us a lot to digest. The Ryloth story could have been told as a 90-120 minute film of its own, it's the perfect Star Wars type of story and it mirrors Return of the Jedi very closely. An evil group has taken up residence on an otherwise unassuming world and are using it for a military purpose. The good guys, in league with the local inhabitants, rise up and defeat the occupiers.

The difference here is the Rylothian Twi'leks are not cuddly teddy bears. They aren't exactly warriors, but they are able to hold their own against the droids. Mace Windu is leading an attack against the capitol city which is being held by Wat Tambor of the Techno Guild and his tactical droid second in command. Tambor's arrogance will not permit him to evacuate despite the droid's calculations and Count Dooku's insistence.

(make sure to stay tuned to TVZ for the full reviews)